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    Read Bashō and Sora Visit Yamadera

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    Bashō and Sora Visit Yamadera

    During the northern journey of 1689, people recommended Risshakuji, usually called Yamadera, to Bashō. His account describes turning back from Obanazawa to visit it, finding lodging at the foot of the mountain before daylight faded and then climbing to the halls above.

    The ascent supplies the passage’s physical details: piled rocks, old pine and cypress trees, mossy soil and stone, closed temple doors, and a route around cliffs. Bashō describes worship at the buildings reached along this route. These are the surroundings of the famous verse in which cicada voices penetrate the rock’s stillness.

    Local advice had changed the itinerary, and the climb gave Bashō material for a scene he later arranged in prose and verse. The finished account moves from the recommended detour and secured lodging to the rocks, halls and insect sound. Its stillness is a poetic effect within that inhabited religious landscape; the passage records a selected experience of the visit rather than a complete inventory of everything happening on the mountain.

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    1. おくのほそ道・旅立、日光、松嶋、平泉、立石寺 · Matsuo Bashō / Aozora Bunko

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    1689 | Bashō and Sora Visit Yamadera芭蕉と曾良の山寺訪問

    The Kojiki in an open-book still life

    Bashō and Sora Visit Yamadera

    During the northern journey of 1689, people recommended Risshakuji, usually called Yamadera, to Bashō. His account describes turning back from Obanazawa to visit it, finding lodging at the foot of the mountain before daylight faded and then climbing to the halls above.

    The ascent supplies the passage’s physical details: piled rocks, old pine and cypress trees, mossy soil and stone, closed temple doors, and a route around cliffs. Bashō describes worship at the buildings reached along this route. These are the surroundings of the famous verse in which cicada voices penetrate the rock’s stillness.

    Local advice had changed the itinerary, and the climb gave Bashō material for a scene he later arranged in prose and verse. The finished account moves from the recommended detour and secured lodging to the rocks, halls and insect sound. Its stillness is a poetic effect within that inhabited religious landscape; the passage records a selected experience of the visit rather than a complete inventory of everything happening on the mountain.

    Sources and notes ViewHide
    1. [1]

      おくのほそ道・旅立、日光、松嶋、平泉、立石寺Matsuo Bashō / Aozora Bunko

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